Fujifilm X100VI Fixed-Lens Compact Camera vs Hasselblad X2D 100C Medium Format Camera (2026)

Which is better? We compared both on score, owner ratings, pros and cons.

Fujifilm X100VI Fixed-Lens Compact Camera

9.5/10 Outstanding

4.8★ (2,400 owners)

40MP APS-C, IBIS, 23mm f/2, hybrid viewfinder, film sims, 6.2K video. The internet's favourite camera.

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Hasselblad X2D 100C Medium Format Camera

9.6/10 Outstanding

4.7★ (480 owners)

100MP medium format, 16-stop dynamic range, 5-axis IBIS, 2.36M-dot EVF, CF Express. The imaging pinnacle.

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At a Glance

	Fujifilm X100VI Fixed-Lens Compact Camera	Hasselblad X2D 100C Medium Format Camera
247Verdict Score	9.5/10	9.6/10
Owner Rating	4.8★ (2,400)	4.7★ (480)
Verdict	Outstanding	Outstanding
Sensor	40MP APS-C	100MP medium format
IBIS	6-stop (first in X100)	5-axis 7-stop

Quick Verdict

This is a genuine draw — both score within 0.15 points of each other. Fujifilm X100VI Fixed-Lens Compact Camera: 40MP APS-C, IBIS, 23mm f/2, hybrid viewfinder, film sims, 6.2K video. The internet's favourite camera.. Hasselblad X2D 100C Medium Format Camera: 100MP medium format, 16-stop dynamic range, 5-axis IBIS, 2.36M-dot EVF, CF Express. The imaging pinnacle.. Choose based on your specific needs.

Pros & Cons Side by Side

Fujifilm X100VI Fixed-Lens Compact Camera

40MP APS-C sensor delivers X-T5-level image quality in a coat-pocket-friendly body
IBIS in the X100 series for the first time — 6-stop correction enables handheld shots in low light
23mm f/2 fixed lens is a classic street photography focal length — slightly wide, very versatile
18 film simulations produce JPEGs that require minimal post-processing — the Fujifilm aesthetic
Hybrid optical/electronic viewfinder provides both traditional OVF for connection with the scene and EVF for precision

Fixed 23mm — no zoom, no lens changes; requires accepting the focal length
£1,500+ and currently limited supply — significant demand exceeds production
Touchscreen is limited — a menu system learned over time

Hasselblad X2D 100C Medium Format Camera

100MP medium format sensor captures detail that full-frame cameras cannot achieve at any resolution
16 stops of dynamic range — the widest of any reviewed camera — enables recovery of both shadows and highlights
5-axis IBIS stabilisation on a medium format camera is technically extraordinary — 7-stop correction
Natural colour rendering from Hasselblad's Natural Colour Solution (HNCS) tuning since 1941
Used by NASA, fashion studios and landscape photographers for whom sensor size genuinely matters

£8,000+ is an investment only commercial photographers can justify through usage
Medium format lenses are large, heavy and expensive — complete system costs £15,000+
16fps burst rate trails mirrorless sport cameras — medium format is not for action